{"id":2621,"date":"2020-04-13T06:29:21","date_gmt":"2020-04-13T06:29:21","guid":{"rendered":"http:\/\/www.italianoconulgen.com\/?p=2621"},"modified":"2020-04-14T04:35:51","modified_gmt":"2020-04-14T04:35:51","slug":"zeze-e-lalbero-darance","status":"publish","type":"post","link":"http:\/\/www.italianoconulgen.com\/index.php\/2020\/04\/13\/zeze-e-lalbero-darance\/","title":{"rendered":"Zez\u00e9 e l’albero d’arance"},"content":{"rendered":"\n

Zez\u00e9 ve Portakal A\u011fac\u0131,<\/em> bizdeki ad\u0131yla \u015eeker Portakal\u0131!<\/em><\/p>\n\n\n\n

Brezilyal\u0131 yazar Jos\u00e9 Mauro de Vasconcelos’un \u015eeker Portakal\u0131<\/em> roman\u0131 her ya\u015f grubuna hitap eder, her ya\u015fta ba\u015fka t\u00fcrl\u00fc dokunur insan\u0131n y\u00fcre\u011fine. Vasconcelos bu kitab\u0131 on iki g\u00fcnde yazd\u0131\u011f\u0131n\u0131 ama yirmi y\u0131l y\u00fcre\u011finde saklad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. Okuyucu i\u00e7in ise tam tersi, bir veya iki g\u00fcnde okunup k\u0131rk y\u0131l <\/em>y\u00fcrekte saklanacak s\u0131cac\u0131k bir \u00f6yk\u00fc.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Y\u0131llar \u00f6nce bir ameliyat ge\u00e7irip olduk\u00e7a uzun bir s\u00fcre evden \u00e7\u0131kamayacak olan bir arkada\u015f\u0131m, ad\u0131nda portakal <\/em>ge\u00e7en t\u00fcm kitaplar\u0131 okumaya karar verdi\u011fini s\u00f6yledi\u011finde \u015fa\u015f\u0131r\u0131p yad\u0131rgam\u0131\u015ft\u0131m. Ama bu karar\u0131na sayg\u0131 duyarak hemen Gioconda Belli diye Nikaragual\u0131 bir yazar\u0131n Portakal A\u011fac\u0131nda Oturan Kad\u0131n <\/em>adl\u0131 bir kitab\u0131n\u0131 bulup sipari\u015f vermi\u015ftim. Yoklamaya giderken hediyem o olacakt\u0131.<\/p>\n\n\n\n

\u015eeker Portakal\u0131<\/em>‘n\u0131 g\u00f6t\u00fcremezdim ya, onu herkes bilirdi ve her evde olurdu. Tabii ki arkada\u015f\u0131m\u0131n ba\u015fucunda da duruyordu ve hatta a\u00e7\u0131p baz\u0131 diyaloglar\u0131 tekrar okumu\u015ftuk, okuduk\u00e7a da hayrete d\u00fc\u015fm\u00fc\u015ft\u00fck. Biz \u00e7ok b\u00fcy\u00fcm\u00fc\u015ft\u00fck, \u00e7ok \u015fey ya\u015fam\u0131\u015ft\u0131k o arada ama yine ne \u00e7ok \u015fey bulmu\u015ftuk, kitab\u0131 elimizden b\u0131rakam\u0131yorduk bir t\u00fcrl\u00fc.<\/p>\n\n\n\n

\u0130\u015fte ben de evden \u00e7\u0131kamad\u0131\u011f\u0131m \u015fu g\u00fcnlerde yine bir kar\u0131\u015ft\u0131rd\u0131m bu t\u00fcm zamanlar\u0131n kitab\u0131n\u0131. “Uyuyal\u0131m. \u0130nsan uyudu mu her \u015feyi unutur” s\u00f6zlerine tak\u0131ld\u0131m Zez\u00e9’nin. K\u00fc\u00e7\u00fcc\u00fck bir \u00e7ocu\u011fun a\u011fz\u0131ndan \u00e7\u0131kan bu s\u00f6zler nas\u0131l da t\u00fcm d\u00fcnyan\u0131n fikri oluverdi bir anda! Her \u015feyin tersine d\u00f6n\u00fcp uyurken tatl\u0131 r\u00fcyalar, uyan\u0131kken kabuslar g\u00f6rmeye ba\u015flad\u0131\u011f\u0131m\u0131z g\u00fcnlerde hep vurup kafay\u0131 yatmak istemiyor muyduk, bir nevi uykuya ka\u00e7mak. <\/p>\n\n\n\n

Sonra, yava\u015f yava\u015f al\u0131\u015ft\u0131k ve bir d\u00fczen kurduk neyse. G\u00fcnd\u00fczler uzad\u0131 yeniden, geceler k\u0131sald\u0131. Ruhumuza iyi gelen farkl\u0131 \u015feyleri kendi evimizde yan\u0131 ba\u015f\u0131m\u0131zda ke\u015ffetmeye ba\u015flad\u0131k. <\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

“Bu portakal a\u011fa\u00e7lar\u0131 hi\u00e7 bu kadar a\u00e7mam\u0131\u015ft\u0131, hi\u00e7 b\u00f6yle koku yay\u0131lmazd\u0131 eve” dedik mesela biz. Ve sonra asl\u0131nda hep b\u00f6yle a\u00e7t\u0131\u011f\u0131n\u0131, hep b\u00f6yle koktu\u011funu ama bizim bunun fark\u0131nda olmad\u0131\u011f\u0131m\u0131z\u0131 anlad\u0131k. \u00c7\u00fcnk\u00fc hi\u00e7 oturmazd\u0131k bu mevsimde balkonda, hi\u00e7 a\u00e7mazd\u0131k perdeleri sonuna kadar ye\u015fil g\u00f6relim i\u00e7imiz a\u00e7\u0131ls\u0131n <\/em>diye. \u0130lkbaharda do\u011fan\u0131n uyan\u0131\u015f\u0131na ba\u015fka yerlerde hayran olunur san\u0131rm\u0131\u015f\u0131z me\u011fer. <\/p>\n\n\n\n

Ben odam\u0131n penceresindeki, itiraf edeyim pek de y\u00fcz vermedi\u011fim, sardunyam\u0131n benim ilgisizli\u011fime ra\u011fmen hayata tutunup \u00e7i\u00e7ek vermeye ba\u015flad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcnce sevin\u00e7ten deliye d\u00f6nd\u00fcm bu sabah. Kendimden utand\u0131m.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Bu al\u0131\u015fm\u0131\u015fl\u0131\u011f\u0131 her ya\u015f grubunda g\u00f6rmeye ba\u015flad\u0131m, herkes teker teker al\u0131\u015ft\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor bir \u015fekilde. Uzaktan bir miktar e\u011fitimle yetinip evde okuduklar\u0131 kitaplar ve izledikleri filmlerden, hatta yanlar\u0131nda ‘mecburen’ daha \u00e7ok vakit ge\u00e7irdikleri b\u00fcy\u00fcklerden daha \u00e7ok \u015fey \u00f6\u011frenen \u00e7ocuklar ve gen\u00e7ler bir yandan da b\u00fcy\u00fcklerine bir s\u00fcr\u00fc \u015fey \u00f6\u011fretiyor olman\u0131n keyfini ya\u015f\u0131yor.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Balkonlar ve bah\u00e7eler kafe, restoran, at\u00f6lye, ofis, s\u0131n\u0131f, a\u00e7\u0131k hava yoga veya pilates salonu oldu, mutfaklar terapi merkezi. Evcil hayvanlar \u015fa\u015fk\u0131n ama \u00e7ok mutlu, hi\u00e7 bu kadar kalabal\u0131k ve sevgi dolu bir ortamda olmam\u0131\u015flard\u0131. Bu kadar itinal\u0131 beslenme ve bak\u0131m \u00e7ok sevindirdi onlar\u0131. Hep aceleye getiriliyorlard\u0131, herkesin her an yeti\u015fmesi gereken bir yer veya bir i\u015fi vard\u0131.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Ailenin her bireyi, evde kendine ait bir alan yarat\u0131p daha huzurlu ya\u015famaya ba\u015flad\u0131. \u0130lk g\u00fcnlerde ya\u015fan\u0131lan bocalama ve gerilim yerini daha sessiz bir kabullenmi\u015fli\u011fe b\u0131rakt\u0131, evler geni\u015fledik\u00e7e daral\u0131nan anlar azald\u0131.<\/p>\n\n\n\n

\u015eeker Portakal\u0131 roman\u0131nda Zez\u00e9, babas\u0131ndan bile \u00e7ok sevdi\u011fini hissetti\u011fi Portuga’ya, “Ac\u0131lar\u0131m ka\u00e7 g\u00fcn s\u00fcrecek Portuga?” diye sorar. Portuga’dan “En fazla k\u0131rk g\u00fcn” cevab\u0131n\u0131 alan Zez\u00e9 sevinir, “K\u0131rk g\u00fcn sonra ge\u00e7ecek mi?” Portuga \u015fu cevab\u0131 verir, “Hay\u0131r, al\u0131\u015facaks\u0131n.” <\/p>\n\n\n\n

Bizim b\u00fcy\u00fcklerimizin ninelerinden dinledi\u011fi bir hik\u00e2yede de anne ile \u00e7ocuk aras\u0131nda benzer bir konu\u015fma ge\u00e7iyor. Bu hik\u00e2yede ise \u00e7ocu\u011fun sorusu bu k\u0131tl\u0131k ne kadar s\u00fcrecek?<\/em><\/p>\n\n\n\n

Bu karantina ne kadar s\u00fcrecek? Bilmiyoruz ama elbet bitecek, \u00f6nemli olan fark\u0131ndal\u0131klarla, yeni kazan\u0131mlarla g\u00fc\u00e7l\u00fc ve galip \u00e7\u0131kmam\u0131z bu s\u00fcre\u00e7ten. <\/p>\n\n\n\n

K\u0131rk g\u00fcn<\/em>, L\u00fcbnanl\u0131 yazar Amin Maalouf’un bir roman\u0131ndan (Do\u011fu’dan Uzakta<\/em> san\u0131r\u0131m) hat\u0131rlad\u0131\u011f\u0131m kadar\u0131yla, do\u011fu k\u00fclt\u00fcrlerinde ve bize \u00e7ok uzak ama k\u00fclt\u00fcrleri yak\u0131n G\u00fcney Amerika \u00fclkelerinde tecr\u00fcbeyle sabitlenen gerekli bir s\u00fcre s\u0131k\u0131nt\u0131n\u0131n ve ac\u0131n\u0131n hafiflemesi, daha do\u011frusu zor g\u00fcnlere al\u0131\u015fmak i\u00e7in.<\/p>\n\n\n\n

Biz al\u0131\u015ft\u0131k karantinaya ama corona k\u0131rk\u0131 \u00e7\u0131k\u0131p<\/em> bize al\u0131\u015fmadan \u00e7\u0131k\u0131p gitse art\u0131k hayat\u0131m\u0131zdan da biz de eski hayatlar\u0131m\u0131za al\u0131\u015fsak yeniden!<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Zez\u00e9 ve Portakal A\u011fac\u0131, bizdeki ad\u0131yla \u015eeker Portakal\u0131! Brezilyal\u0131 yazar Jos\u00e9 Mauro de Vasconcelos’un \u015eeker Portakal\u0131 roman\u0131 her ya\u015f grubuna hitap eder, her ya\u015fta ba\u015fka t\u00fcrl\u00fc dokunur insan\u0131n y\u00fcre\u011fine. Vasconcelos bu kitab\u0131 on iki g\u00fcnde yazd\u0131\u011f\u0131n\u0131 ama yirmi y\u0131l y\u00fcre\u011finde saklad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. Okuyucu i\u00e7in ise tam tersi, bir veya iki g\u00fcnde okunup k\u0131rk y\u0131l y\u00fcrekte … Okumaya devam et Zez\u00e9 e l’albero d’arance<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,5],"tags":[],"_links":{"self":[{"href":"http:\/\/www.italianoconulgen.com\/index.php\/wp-json\/wp\/v2\/posts\/2621"}],"collection":[{"href":"http:\/\/www.italianoconulgen.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.italianoconulgen.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.italianoconulgen.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.italianoconulgen.com\/index.php\/wp-json\/wp\/v2\/comments?post=2621"}],"version-history":[{"count":42,"href":"http:\/\/www.italianoconulgen.com\/index.php\/wp-json\/wp\/v2\/posts\/2621\/revisions"}],"predecessor-version":[{"id":2677,"href":"http:\/\/www.italianoconulgen.com\/index.php\/wp-json\/wp\/v2\/posts\/2621\/revisions\/2677"}],"wp:attachment":[{"href":"http:\/\/www.italianoconulgen.com\/index.php\/wp-json\/wp\/v2\/media?parent=2621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.italianoconulgen.com\/index.php\/wp-json\/wp\/v2\/categories?post=2621"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.italianoconulgen.com\/index.php\/wp-json\/wp\/v2\/tags?post=2621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}